March 2020, Korea.
The place where the eradicating of the old from the contemporary prevails, while the pace of construction of the new renders it shortlived. The landscape has now become uniform, made up of a prefab architectural aesthetic the city’s-built form frequently jars with its surrounding environment, its scale out of proportion with that of the human.
In this controlled, pandemic context, the human inhabits the city anonymously, is continuously recorded, and learns in turn to record that which surrounds them.